andreadlvee:

I can’t decide if I want to vomit, kill myself or kill them out of envy. 

(Source: makeofthiswhatyouwill)

I’ve seen this one too many times.

(Source: witchin)

ladysatan:

This 15 year old just won $75,000 for developing a test for pancreatic cancer that’s over 90 percent accuracy, and 28 times faster, 28 times less expensive and over 100 times more sensitive than current tests.

So when this kid gonna be 18?

So who else is going to make me feel unaccomplished?

(Source: societyforscience.org)

spark-of-constellation:

Hello summer plans.

(Source: boneandflesh)

krystalisclear:

• Slam her against a door - simply grab her and push her back into the door. Press yourself into her and start making out with her aggressively. This can also work on a wall, but you have to be more careful not to bump into anything (it can hurt and break her out of the moment).
• Pull her hair - For foreplay, stay behind her, kissing her neck, and pull her hair back - girls really go crazy for this. Or, when you’re doing her doggy style which is a dominant position, you can enhance your dominance by pulling her hair (the closer to the roots the better) and saying dirty words to her.
• Pin her down - girls love when they are being controlled, and give her a dirty little smirk while you’re at it. Pin her hands above her head while you are making out; she’s bound to go crazy.
• Fuck her hard, fast, and deep - the more you comprehend this the better. Be the alpha male. Girls go crazy for that shit.. seriously eat it right up, especially if you keep a nice, steady pace that will leave their thighs and legs sore. Thrust your hips against hers. Don’t stop.
• Manhandle her into a position - show her you’re the boss. Make her feel good by switching positions, the right ones, and this will also keep you both lasting longer. You do not want to be boring. Grab her by the legs, arms, waist, or really any body part necessary to get into the position you want to fuck in.
• Be touchy - and what I mean by this is squeeze her ass, grab her breasts, and get a good grip on her hips. Also do the above with your hands. Hickies are trashy when visible, but a good reminder of what a great time you hand when found in places only she will know about. The best kept secret. A girl will love your touch anywhere it is, and the harder you grip the more she is yours.
• Get creative - This is seriously the biggest thing to do. Have an idea? You might as well try it. The worst she can do is tell you to stop it, but nine times out of then she won’t, and even more chances are that she will love it just as much as you are. The best times in the bedroom are those spent experimenting.

(Source: putawh0re)

(Source: mavinajfan)

ME

(Source: van-lin729)

I’ve never seen a truer gif in my life

(Source: maeby-tonight)

ME

(Source: babyyshark)

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

summits:

Absolutely both

(Source: sweetlikekiwi)

aaaahh yes. scare tactics.. because history shows they work SO well.

(Source: cassasaursaysrawr)

(Source: childlovesdrug)